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The Mills of God uses
Juxtapose with the same deft skill as (Dan) Brown or (Stephen) King
Book Review - Justin R.
Smith's The Mills of God
Review by:
Araminta Matthews, Front Street Reviews
Some of the best mystery novels juxtapose tricky concepts
seamlessly with both real life scenarios and great characterization. Dan
Brown's famous book, The Da Vinci Code juxtaposes cryptic messages and
fine art with thievery and vanity as readers dissect codes and begin to
look at Da Vinci's paintings in a new way. While primarily a horror
novelist, Stephen King has juxtaposed everything from complex viral
strains to real estate management in his novels. The Mills of God does
just exactly that with the same deft skill as Brown or King. Smith's
story weaves together new age concepts of dream analysis and reincarnation
with the luxuriously described settings of Germany, Switzerland, England,
and the United States, as well as with computer programming and
mathematical coding. On top of all of this, the story is flooded with
rhythmic, rhyming poetry in the voice of its main character that is both
engaging and illuminating all at once.
The story follows a young girl and genius, Constance Fairchild, on the
cusp of womanhood. After being orphaned by her parents, her billionaire
grandfather charges a cold and plotting woman to arrange her care.
Constance, called Stanzi and Connie by friends, is shipped off to a school
in Switzerland to live out her teen years; but after she settles in,
strange things begin to happen. Her room is tossed and bugged by
mysterious villains, she and her roommate find themselves followed almost
everywhere they go, and people around her keep dying.
While the story moves at a smooth tempo – for the most part – and most of
the characters are believable and engaging, there was much about Constance
Fairchild that didn't ring true for a youthful girl – even a genius
youthful girl. Her dialogue, her actions, her interpretations, and her
relations are definitely not those of a girl her age. At the same time,
her age was rarely a difficulty. The novel was engaging enough that this
blatant discrepancy was rarely given any thought. In other words, the
book was good.
I would say that I read this book in one sitting, but in fairness, it took
me two. Neglecting my vocational tasks, I opted to settle into my reading
chair to plough through The Mills of God, and I was glad that I did.
Smith is a writer skilled at his craft.
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